Last week I bucked the trend. I watched a movie at a movie theatre! It was a Malay movie with a thoughtless title: Polis Evo.
The
last time I watched any movie at any theatre was in 1984, when I was a
student in upstate New York. That movie was the original slasher "The Texas
Chainsaw Massacre". I couldn't enjoy the movie. A lady seated
right behind me screamed every time the freak with the chainsaw came on.
Don't
get me wrong. I like movies. I even have my own list of "movies to see
before you die", which I can show you if you're interested. Just ask.
The first movie I watched at a theatre was a P Ramlee comedy flick "Madu
Tiga" in 1964. It was truly a magical experience for me. Big screen,
big crowd, big sound, in complete darkness. And P Ramlee, man, what a genius. When I came out, I just
couldn't find my way in broad daylight and almost fell over. My elder
sister had to steady me.
I
watched a lot of movies during my hostel days at Tiger Lane. The school
showed one movie a week, every Friday, free. Half of the films starred
Jack Palance. He wasn't exactly a pretty sight, but he was 100 times
more popular than our head boy. Whenever we had a new guy operate the
projector, the jerk would, against all odds, start with the last reel
and give away the whole plot. In my eight years there, I must have
watched at least 300 movies. But if I rope in the movies I watched
with friends in Ipoh town,
I could've easily racked up 400 in total, including the epic Haathi Mere Saathi (twice). I'm not sure what's the
industry standard, but 400 seems a lot.
Now
back to Polis Evo. Even with complimentary passes in hand, I was
initially quite reluctant, and even offended by the mere suggestion.
It's a 32-year old record, remember? If I went ahead, I'd have to start
all over again and I can only equal this record in 2047, when I'm 94.
And what if I got found out by my Whats App groupies? These zealots have been
posting all sorts of scriptures urging old and unsuspecting classmates to contemplate
and repent and abandon all worldly pleasures. Watching Polis Evo is
hardly a way forward.
But
it's common curiosity that finally won the day. The film had been
heavily marketed on all Astro channels and Rapid buses. The box-office
collections had broken the RM10 million mental barrier in just two
weeks. It's a lot of money, even at the current exchange rate. Some
half-brain punks on H Live were raving with a rating of 11 out of 10.
It's a Van Persie moment, and the curious little boy inside had to make
the call. I finally relented. So there I was with wife and my two girls Aida and Sarah at GSC
Summit USJ. The theatre, or Cineplex, nowadays is actually very small,
much smaller than the old Lido cinema in Kota Bharu where I watched Madu
Tiga and even smaller than the Tiger Lane school hall where I watched Jack Palance.
Polis Evo is technically not
a Malay movie. At least not the one I watched. Half of the
dialogue was in Terengganu tongue, the other half in deep Kelantanese. It
had been bandied about as an action-comedy, with a tired formula that
borrows heavily from Lethal Weapon, Bad Boys or even Rush Hour
franchises. It fell flat. It flopped real hard. It's a waste of time and unworthy of any serious review or rating.
The premise and plot were outrageous and insulting all at the same time. Cliched and corny at every turn, with non-existent sub-plots to speak of. The movie was set and actually shot in Kuala Terengganu, and how's that for a mindless non-starter. Kuala Terengganu? Can you believe it? Tripadvisor has rated Kuala Terengganu way behind Puchong as a destination for tourists or retirees. In real life nothing actually wants to happen in Kuala Terengganu. And now suddenly car chases, shootings, explosions, meth labs, drug running, hostages. What can be more implausible and improbable than this? It even showed Pasar Payang so that nobody would mistake it for some place else.
As to why Malay films have sunk to such depths of desperation is beyond me. It's about time we round up David Teo and everybody who talks like him and frame them for undermining our economy and our prime minister. DAP won't mind.
The performance of the lead cast was patchy and contrived even by my pathetically generous standard for Malay films. Give me Ahmad Yatim any day. The problem with all pelakon Melayu is that they try too hard and it shows. They come across as dysfunctional, farcical and altogether ineffectual. In Polis Evo the characters who really delivered were the bad guys who looked and spoke Kelantanese to the core.
Terengganu diction is dark and twisted and is never easy on the ear, but why let a non-Terengganu cast mangle it further? All of which begs the question as to why weren't real and able Terengganu persons used? Nobody (except Zizang) is good enough in the whole state of Terengganu Darul Iman? My daughter-in-law is from Manir and I think she's talented enough to walk into that sister part (Normally I'm owed a big dinner for saying something like this).
All this has left me with only one viable verdict: that how hard Zizang tries to market his home state, Terengganu just doesn't have it.
Like most bad movies, Polis Evo did have its bright moments. Two actually, both in Kelantanese. One, the part when Zizan pulled off an elaborate clownish routine, and the baddest of the baddies wasted no time in cautioning him "Bo la buak bodo nyoh, takuk jjadi bodo sungguh". Brilliant. Zizan would be wise to take that seriously. Two, when the same guy took Zizan's sister as hostage and he warned Zizan "Aku keno ambik adik mu buak koletero (Collateral)". Koletero! Hahaha. Sounds like cholesterol.
The premise and plot were outrageous and insulting all at the same time. Cliched and corny at every turn, with non-existent sub-plots to speak of. The movie was set and actually shot in Kuala Terengganu, and how's that for a mindless non-starter. Kuala Terengganu? Can you believe it? Tripadvisor has rated Kuala Terengganu way behind Puchong as a destination for tourists or retirees. In real life nothing actually wants to happen in Kuala Terengganu. And now suddenly car chases, shootings, explosions, meth labs, drug running, hostages. What can be more implausible and improbable than this? It even showed Pasar Payang so that nobody would mistake it for some place else.
As to why Malay films have sunk to such depths of desperation is beyond me. It's about time we round up David Teo and everybody who talks like him and frame them for undermining our economy and our prime minister. DAP won't mind.
The performance of the lead cast was patchy and contrived even by my pathetically generous standard for Malay films. Give me Ahmad Yatim any day. The problem with all pelakon Melayu is that they try too hard and it shows. They come across as dysfunctional, farcical and altogether ineffectual. In Polis Evo the characters who really delivered were the bad guys who looked and spoke Kelantanese to the core.
Terengganu diction is dark and twisted and is never easy on the ear, but why let a non-Terengganu cast mangle it further? All of which begs the question as to why weren't real and able Terengganu persons used? Nobody (except Zizang) is good enough in the whole state of Terengganu Darul Iman? My daughter-in-law is from Manir and I think she's talented enough to walk into that sister part (Normally I'm owed a big dinner for saying something like this).
All this has left me with only one viable verdict: that how hard Zizang tries to market his home state, Terengganu just doesn't have it.
Like most bad movies, Polis Evo did have its bright moments. Two actually, both in Kelantanese. One, the part when Zizan pulled off an elaborate clownish routine, and the baddest of the baddies wasted no time in cautioning him "Bo la buak bodo nyoh, takuk jjadi bodo sungguh". Brilliant. Zizan would be wise to take that seriously. Two, when the same guy took Zizan's sister as hostage and he warned Zizan "Aku keno ambik adik mu buak koletero (Collateral)". Koletero! Hahaha. Sounds like cholesterol.
Any of you reading this, there's still time to change your mind. Don't fall for the hype and vibes. Better never than late.